I often think of my life, of my speech, as a database of words: Scripts, commonplaces, canned monologues that I recall, sometimes at will, sometimes by force. I am invoking the network not to stereotype me or my kind as computers, but to invoke the database as ordered fuckery. I mean that much of my spoken words are preceded. I mean that they are borrowed grammars, the rote and ritual that are both prized and demonized by shrinks and third grade teachers. I long for the parallel: the rhythm of the fingers against keys, the thoughts forged outside the grip of the other, tempoed lines that never meet.
Let us abstract together.
Talk and type as you will. Will the words. Hammer the rest.
I very much relate to that all of that. I think and write via bricolage of the “ordered fuckery” of streams and created serendipity.
To invoke the network again:
It runs on software, the hacker ethos, and soft networks that wire up the planet in ever-richer, non-exclusive, non-zero-sum ways. Its structure is based on streams like Twitter: open, non-hierarchical flows of real-time information from multiple overlapping networks. In this order of things, everything from banal household gadgets to space probes becomes part of a frontier for ceaseless innovation through bricolage. It is a computer designed for rapid, disorderly and serendipitous evolution, within which innovation, far from being a bug, is the primary feature.
Source: A Tale of Two Computers
I suspect “ceaseless innovation through bricolage” describes quite a number of autistic minds.